What are today's young architects? 1) Looking at the horizon, where it ends. 2) organizing electronic parties. 3) Buying clothes. 4) Making models. 5) together to buy project bases, municipalities, municipalities, what is and then losing or winning these projects.
6) Listening to music, lounge & dark & \u200b\u200bbossa nova & jazz & pop & folk & indie. 7) Designing strange objects in the line between utility and art, or rather the futility and art. 8) Thinking about Antarctica. 9) By experimenting with soft drugs imported by the Internet. 10) Lost in New York or the idea New York, or in Brasilia or the idea of \u200b\u200bBrasilia. 11) Making movies locked in frames as history notes, think about "Zamora Express" and "Pearl harbor" Rodrigo Cepeda: Pictures of a city crazy night, dizziness, blood, straightening a crooked environment and again, punk or sad music in the background. I think the "Arcana" Christopher Vincent: the prison of Valparaiso as a puzzle to solve, a piece of memory you have, a maze to get lost and found again. 12) Leaving the architecture outside the profession as a way station to somewhere unknown. Former secret architects as a tribe, veterans of a war that only they know. 13) Leaving the theory and putting their hands in the dough, placing the body to work. 14) extreme sports clothes look impeccable outdoor. 15) Writing poetry, bad poetry. 16) Taking torrid dreams with the ghost of Luciano Kulczewski. 17) Fleeing to Barcelona, \u200b\u200bflying from Barcelona. 18) Losing or gaining time in the SERVIU. 19) Transando with politicians and local chiefs. A story: a young architect will charge a neighborhood of a commune-based X and design. It is a standard model and the young architect goes to the commune X to see the conditions. All goes well until it shows the project to chairman. By type not like, and thereafter it insults the architect. The architect says that these are the conditions, that is what you get. The chairman of the board of residents referred to the mayor by name and takes out his cellphone, and telephones. It tutean speak as compadres mention a barbecue in which they were recently. Yoke. The young architect look at the scene with dismay. Feel powerless. Have pity. Feel angry. Back in his office is waiting for your boss, the mayor has called. The young architect rebuke him and hear how you are ordered to build what the president of the neighborhood committee comes up and to stop messing around, and understand how things really are. The young architect looks at his boss and he realizes how things really are. 20) Testing new hairstyles. 21) Putting hot spots. 22) regretting the death of the city: the disappearance of El Golf neighborhood and film Las Lilas. Feeling melancholy as the secret of younger contemporary architects. 23) Looking for something like an identity amidst the sketches and computer programs, and gaps in the walls miniature models. 24) Buying houses ruined by four beans in emerging neighborhoods and turning them into lofts: Brazil, Cerro Concepción, El Forestal. The lofts as the perfect image of the young Chilean architecture, its relationship with identity and confront the ways in which space and paste. 25) Turning artists: painters, photographers, sculptors. 26) Fighting in any way possible against the fact and the tendency to catalog architecture. 27) From crossing: lost in Paraguay or Brazil or South. Top of barges and buses. With a hangover. I remember what I told a friend how Argentina came to a city submerged. Something had happened and the town had been flooded, and grace was this: he had been under water so you walked along the shore and you look below the horizon diffuse shadows a ghost town under the lake, a spectral presence that was or had been a disaster, but it was there as one museum with some young architects who dream or have nightmares: a landscape impossible fiction, secret and why not, fine. Alvaro
Bisam
6) Listening to music, lounge & dark & \u200b\u200bbossa nova & jazz & pop & folk & indie. 7) Designing strange objects in the line between utility and art, or rather the futility and art. 8) Thinking about Antarctica. 9) By experimenting with soft drugs imported by the Internet. 10) Lost in New York or the idea New York, or in Brasilia or the idea of \u200b\u200bBrasilia. 11) Making movies locked in frames as history notes, think about "Zamora Express" and "Pearl harbor" Rodrigo Cepeda: Pictures of a city crazy night, dizziness, blood, straightening a crooked environment and again, punk or sad music in the background. I think the "Arcana" Christopher Vincent: the prison of Valparaiso as a puzzle to solve, a piece of memory you have, a maze to get lost and found again. 12) Leaving the architecture outside the profession as a way station to somewhere unknown. Former secret architects as a tribe, veterans of a war that only they know. 13) Leaving the theory and putting their hands in the dough, placing the body to work. 14) extreme sports clothes look impeccable outdoor. 15) Writing poetry, bad poetry. 16) Taking torrid dreams with the ghost of Luciano Kulczewski. 17) Fleeing to Barcelona, \u200b\u200bflying from Barcelona. 18) Losing or gaining time in the SERVIU. 19) Transando with politicians and local chiefs. A story: a young architect will charge a neighborhood of a commune-based X and design. It is a standard model and the young architect goes to the commune X to see the conditions. All goes well until it shows the project to chairman. By type not like, and thereafter it insults the architect. The architect says that these are the conditions, that is what you get. The chairman of the board of residents referred to the mayor by name and takes out his cellphone, and telephones. It tutean speak as compadres mention a barbecue in which they were recently. Yoke. The young architect look at the scene with dismay. Feel powerless. Have pity. Feel angry. Back in his office is waiting for your boss, the mayor has called. The young architect rebuke him and hear how you are ordered to build what the president of the neighborhood committee comes up and to stop messing around, and understand how things really are. The young architect looks at his boss and he realizes how things really are. 20) Testing new hairstyles. 21) Putting hot spots. 22) regretting the death of the city: the disappearance of El Golf neighborhood and film Las Lilas. Feeling melancholy as the secret of younger contemporary architects. 23) Looking for something like an identity amidst the sketches and computer programs, and gaps in the walls miniature models. 24) Buying houses ruined by four beans in emerging neighborhoods and turning them into lofts: Brazil, Cerro Concepción, El Forestal. The lofts as the perfect image of the young Chilean architecture, its relationship with identity and confront the ways in which space and paste. 25) Turning artists: painters, photographers, sculptors. 26) Fighting in any way possible against the fact and the tendency to catalog architecture. 27) From crossing: lost in Paraguay or Brazil or South. Top of barges and buses. With a hangover. I remember what I told a friend how Argentina came to a city submerged. Something had happened and the town had been flooded, and grace was this: he had been under water so you walked along the shore and you look below the horizon diffuse shadows a ghost town under the lake, a spectral presence that was or had been a disaster, but it was there as one museum with some young architects who dream or have nightmares: a landscape impossible fiction, secret and why not, fine. Alvaro
Bisam
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